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しろのきせつ【Tags S Yuuyu-P tS tw Miku】 Original Music Title 白の季節 English music title White Season / Season of White Romaji music title Shiro no Kisetsu Music Lyrics written, Voice edited by ゆうゆ(Yuuyu-P) Singer 初音ミク [Miku Hatsune] Click here for the original Japanese Lyrics English Lyrics (translated by soundares)： everytime i put my numb hand together and wade my way through the crowd of people in search of warmth, i dream of tomorrow I cannot reach white fragments overlap one another soon coloring the world that even my singing voice won t sound i want you to warm my cold heart white season do not hide everything not this voice that i want you to hear resound though, the spring that i long for, and i spun out in eternity a broken hand on watch a telephone bell ring that was cut off (?) the tenderness of that joined hand i have left them somewhere and now forgotten unable to tell you anything important only time goes by town, people, everyone is leaving me behind a cold chilly winter comes because this voice has not yet gotten hoarse i will shout this song till end Lonely sad night will be scary alone... i feel like I might disappear away white season please don t hide me and this voice that i want you to hear so me in tomorrow has smile I will pray quietly Romaji lyrics (translated by iwashi1024)： kajikanda te o awase hito no nami o kakiwake nukumori o motomete wa todokanai asu o yume ni miru siroi kakera kasanari ai yagate sekai o somete boku no utagoe mo hibikanai yo hieta kokoro atatamete hosii siro no kisetu subete o kakusanaide kimi ni kiite hosii kono koe o matikogarete tumuida haruyo narihibike towa ni kowasareta tokei no hari togireta denwa no beru tunaida te no yasasisa wa dokakokani okiwasurete kita daiji na koto o nanihitotu tutaerarenai mama jikan dake ga nagarete yuku mati mo hito mo dare mo watasi o okizari ni suru tumetai samui huyu ga kuru mada kono koe karete wa inai kara saigo made sakebu kono uta o samisii kanasii yoru wa hitori kowaiyo kiete simaisou siro no kisetu watasi o kakusanaide kimi ni kiite hosii kono koe o asu no watasi ni egao ga aru youni sotto inoruyo [YuuyuP, Yuuyu-P]
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【Tags Aru†kana VY2 tB I】 Original Music title 勇月夜 English music title Being Brave At The Moonlit Night Romaji music title Isamitsukiyo Music Lyrics written, Voice edited by アル†カナ (Aru†kana) Music arranged by アル†カナ (Aru†kana) Singer(s) VY2 勇馬 (Yuuma) Click here for the original Japanese Lyrics English Lyrics (translated by animeyay)： A gust of wind blows into this fleeting life, brushes away sorrow, and sweeps away tears. It s important that we care for each other as we pass through our life. Even if it s a complete stranger, if he s in a slump, I m willing to help him out to the best of my ability. Illuminate the path in front of me, night of a gallant moon. Swinging my tachi[1] in my hand, my name is YUMA. I shall cleave the darkness, and open up an unknown path. Although I can see what lies ahead of me right now, I believe sooner or later I ll be able to get back on my feet, so drink and toast in honor of our valor. Illuminate this evening, night of a gallant moon. So what? They can talk big all they want, the only one we can truly believe in is ourselves. If we must move on with life, then let s enjoy it to the fullest. To live is not exactly easy, but it s not full of adversities, either. Illuminate our heart, night of a gallant moon. [Translation notes] [1] A "tachi" is a type of Japanese sword similar to a katana. Romaji lyrics (transliterated by animeyay)： ukiyo fukikomu ichijin no kaze usa o haraite nada sarau tabi wa michizure yo wa nasake fusagikonde ru aka no tanin o hitohada nuide sukuidasu saki o teraseyo isamitsukiyo tachi o hitofuri azana wa Yuuma yami o kirisaki michi hiraku ima wa katachi ga mienedomo itsuka kanarazu tachinaoreru to shaku o kawaseyo buiwai ni koyoi terashite isamitsukiyo sore ga dou shita usobukeba ii shinjirareru wa onore nomi douse yuku nara ouka suru ikite yuku no wa raku jaa nai ga nangyou-kugyou to kagirumai kokoro, teraseyo isamitsukiyo []
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https://w.atwiki.jp/mainichi-matome/pages/4602.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Women take an eye for an eye, especially on moving trains女性は目には目をを実践する、特に動いている列車で 参考資料 拡散状況 関連ページ Women take an eye for an eye, especially on moving trains 女性は目には目をを実践する、特に動いている列車で 0 Women take an eye for an eye, especially on moving trains 2006,09,23 Aera 9/25 By Masuo Kamiyama 女性は目には目をを実践する、特に動いている列車で AERA 9/25 カミヤマ・マスオ記 1 It was the morning of Monday, August 7, and Kiyohito Kokita, a reporter for Aera (9/25), observed a woman, aged around 30, boarding the Metro subway at the first stop on the line. Once seated, she promptly went to work on her eyelashes using a hinged metal device that resembled a pair of pliers, or perhaps a dentist s tool used for tooth extractions. AERA(9/25)の記者・小北清人がある路線の始発駅で都営地下鉄に乗車している三十歳くらいの女性を観察したのは、八月七日の月曜日の朝だった。 席に着くとすぐ、彼女は即座に、ペンチもしくは抜歯に使う歯科医の道具に似た、ヒンジでつながった金属の器具を使ってまつ毛の手入れに取り掛かった。 2 Such a device, which applies pressure to make the lashes curl upward in a graceful curve, is referred to in Japan as a "byuraa." まつ毛に優美な曲線になるよう上向かせる圧力を加える、こういった器具は、日本では「ビューラー」と呼ばれている。 3 That task completed, she glanced in a hand mirror and artfully began applying mascara. Satisfied with her work, she then picked up a paperback book and began reading until disembarking not long thereafter. 上述の作業が終わると、彼女は手鏡を一瞥し、巧みにマスカラを塗り始めた。 出来栄えに満足すると、彼女は文庫本を手にとって読み始め、その後ほどなく下車した。 4 From beginning to end, the show had lasted 10 minutes. It was carried out with such measured efficiency,Aera s reporter wondered that perhaps it was a part of her daily routine. この芸当は、初めから終わりまで、十分間におよんだ。 とてもてきぱきとした能率で行われたので、もしかするとあれは彼女にとって日々の日課の一部ではないか、とAERAの記者は不思議に思った。 5 A week later, Kokita sat aboard a Tokyo-bound aircraft, headed back to Tokyo from his mid-August vacation. As the plane began its descent, a young woman seated next to him, who appeared to be around age 20, took out her mirror and mascara and began applying eye cosmetics. The ritual continued until the wheels bumped down on the tarmac. 一週間後、小北は八月中頃の休暇から東京へと戻ろうと、東京行きの飛行機に搭乗した。 飛行機が下降を始めると、彼の隣に座っていた二十歳くらいに見える若い女性が鏡とマスカラを取り出し、目に使う化粧品をつけ始めた。 この儀式は、車輪が滑走路にどさりと着地するまで続いた。 6 During this very public beauty treatment, Kokita grumbles, it was as if she gave no consideration to anyone else s existence. True, her appearance did improve, but watching the step-by-step transformation was not especially pleasant, her implication being, "Well, you re not supposed to look at me while the process is going on, only after it s finished." But if you do watch her, she could care less. 小北はぼやくのだが、このとてもあからさまに行われた美顔術は、まるで彼女が他者の存在についてなんの配慮もしないかのようだった。 たしかに、彼女の外見は向上したが、その変貌を逐一見ることは格別に愉快なことではなかった。 彼女の雰囲気は「ええと、化粧している間は私を見ないでくれる？終わった後ならいいけど」というものだったから。けれども実際に彼女を見たとしても、彼女はたいして気にしなかっただろう。 7 But what, suggests Aera s reporter, if he were to tell such young women what was really on his mind? Like... "Say, how about refraining from this audacious, self-indulgent behavior, eh?" もし彼がその若い女性に本音を話していたら、どうなっていただろう？ とAERAの記者は示唆する。たとえば……「ねえ、その傍若無人な振る舞いはやめたらどうかな？」 8 To which any woman would be likely to reply indignantly, "It s YOU who s offending me! You ve obviously got a problem, Jack!" これに対しては、どんな女性も憤慨して答えそうである、「私を怒らせているのは『あなた』じゃないの！あきらかにあなたおかしいわよ、おっさん！」 9 Eyes glistening with hatred, she might provoke him by saying, "If you re going to say something, tell me what s on your mind! I dare you!" and then retreat by whining, "If I don t have nice eyelashes, I won t get anywhere in this world." 目を憎しみでギラギラ光らせて、彼女はこういって彼を挑発したかもしれない。 「もしあなたがなにかいうつもりなら、思っていることを私にいってみなさいよ！いえるもんならいってみなさい！」そして泣き言をいってしょげるのだ。 「まつ毛が素敵じゃなかったら、私、この世界のどこにもいけないわ」 10 This bizarre behavior, writes Kokita, represents nothing less than eyelash paranoia. この奇妙な行動はまさにマツゲパラノイアを表わしている、と小北は書く。 11 But how did this situation come about? For a female to be stuck with short, straight eyelashes, writes Aera,was as traumatic as baldness is for men. Gals want long, curly lashes that enhance the glimmer of their eyes,and which they can bat furiously to mesmerize men. それにしても、いかにしてこういう状況が発生したのか？女性にとって、短くまっすぐなまつ毛に困ることは、男性にとってのハゲと同様にトラウマであった、とAERAは書く。 ギャルたちは、目の輝きを増加させる長くてカールした、ものすごい勢いで瞬かせれば男性たちを幻惑できる、まつ毛をほしがる。 12 Hiroto Murasawa, a professor at Osaka Shoin Women s University, had previously spent 28 years editing a beauty research magazine for Pola, a major cosmetics manufacturer. 大阪樟蔭女子大学の教授・村澤博人はかつて、大手化粧品メーカー・ポーラの化粧研究雑誌の編集を二十八年間していた。 13 According to Murasawa, after Japan emerged from several centuries of enforced isolation in the mid-1800s,women gradually felt a stronger attraction to the more pronounced features of Western faces -- a sentiment that gained further appeal following World War 2. 村澤によると、十八世紀半ばに数世紀に及ぶ鎖国から日本が自由になったあと、女性たちは次第に西洋人の顔のより目立つ顔立ちに強い魅力を感じた――この気持ちは第二次世界大戦後、より魅力を増した。 14 "The 1950s, which saw actress Audrey Hepburn enjoy a huge popularity, were a time when women sought to appear more glitzy, and more unnatural, " Murasawa relates. 「女優のオードリー・ヘップバーンが莫大な人気を博した1950年代は、女性たちが『より派手に、より不自然に』見えることを模索した時代でした」と村澤は述べる。 15 By the late 1960s through the 1970s, a stream of female singers and actresses appeared whose pretty peepers basically stole the show -- even if they were flat-chested, knock-kneed and couldn t sing in key Ruriko Asaoka. Linda Yamamoto. Chiyo Okumura. Ayumi Ishida. Mari Amachi -- just to name a few. 1960年代後半から1970年代を通じて、かわいい瞳でたいていの話題をさらった女性歌手や女優が続々と現われた――たとえ平坦な胸で、X脚で、調子はずれにしか歌えなかったとしても。 数人だけ名前を挙げよう――浅岡ルリ子。山本リンダ。奥村チヨ。いしだあゆみ。天地マリ。 16 Nowadays the trend is to emulate female cyborgs, layering on the mascara to cultivate sweeping eyelashes whose exaggerated curves resemble the spread wing feathers of the cranes used in Japanese product logo marks. And development of better quality cosmetics has made it possible for almost anyone to paint themselves artistically in minutes. 今日では、女性型サイボーグと張り合うことが流行していて、まつ毛を長くして圧倒的にするためにマスカラを重ね塗りして、まつ毛の強調された曲線は、日本の製品のロゴマークで使われる、鶴の広げた翼の羽にそっくりである。 そしてよりよい品質の化粧品の開発は、ほとんど誰もが、数分間で自分自身を芸術的に装おうことを可能にした。 17 If there s one thing for sure, Aera comments, it s that females ability to perform a beauty treatment aboard moving transport has improved markedly over the years. もし確実なことが一つあるならばそれは、移動する交通手段に乗ったまま美顔術を行う女性の技術が、これまでの年月の経過に渡ってめざましく向上したことである、とAERAは論評する。 18 "About 30 years ago, I read a weekly magazine s account of a woman who was trying to put on her lipstick while riding a bus," Murasawa recollects. "Her hand slipped and she wound up decorating her nostril. She was blushing with embarrassment as she disembarked. But she showed composure, and I supposed she got over it all right. 「約三十年前、バスに乗っている間に口紅を塗ろうとした女性についての、週刊誌の記事を読みました」と、村澤は思い出す。 「彼女の手が滑って、彼女の鼻の穴を彩る結果になりました。下車するとき、彼女は恥ずかしさで赤面していました。 しかし彼女は落ち着きを見せたので、大丈夫、立ち直った、と私は思いました。 19 "But I suppose the girls today have become much more adept at pulling off a similar feat," he remarks, tongue in cheek. (By Masuo Kamiyama, People s Pick contributor) 「しかし、今日の少女たちは、同様の偉業をやってのけるにあたって、遥かに熟達してきていると私は思います」と、彼は皮肉を込めながら感想を述べる。(カミヤマ・マスオ記 ピープルズピックコントリビューター) 参考資料 村澤博人 http //www7.plala.or.jp/face/j/profile.html 浅岡ルリ子 http //ja.wikipedia.org/wiki/%E6%B5%85%E4%B8%98%E3%83%AB%E3%83%AA%E5%AD%90 山本リンダ http //ja.wikipedia.org/wiki/%E5%B1%B1%E6%9C%AC%E3%83%AA%E3%83%B3%E3%83%80 奥村チヨ http //ja.wikipedia.org/wiki/%E5%A5%A5%E6%9D%91%E3%83%81%E3%83%A8 いしだあゆみ http //ja.wikipedia.org/wiki/%E3%81%84%E3%81%97%E3%81%A0%E3%81%82%E3%82%86%E3%81%BF 天地マリ（天地真理） http //ja.wikipedia.org/wiki/%E5%A4%A9%E5%9C%B0%E7%9C%9F%E7%90%86 拡散状況 Blogger 部分転載：http //chanweiyee.blogspot.com/2006/09/japanese-girls-losing-their-social.html fuckedgaijin http //www.fuckedgaijin.com/forums/showthread.php?t=16134 page=2 海外ブログ http //liarose.livejournal.com/3012.html 英語サイト http //www.asianmc.net/index.php?showtopic=809 http //sgforums.com/forums/2427/topics/213392 http //news.3yen.com/2006-09-23/japanese-manners-on-the-train/ 関連ページ Blogger WaiWaiの記事を転載した英語サイト：A WaiWaiの記事を転載した英語サイト：S WaiWaiの記事を転載した英語サイト：数字 fuckedgaijin 毎日新聞英語版から配信された記事2006年 海外ブログに記事が及ぼした影響
https://w.atwiki.jp/vipdetremulous/pages/22.html
VIPPERのVIPPERによるVIPPERの為の鯖情報 たっぷり書いていってね！ 目次 竹島 エイリアンバスターズ ゆっくりしていってね！ TAKESHIMA MODの導入 うｐろだからWabiSabi最新版のzipを落として解凍する tremulous.exeと同じ階層にWabiSabiフォルダを作る 1で解凍したWabiSabi.pk3を2のフォルダの中へ入れる 竹島に上陸 ※MODを落とさずにサーバーへ入っても自動ダウンロードが始まるが、Tremulousの自動ダウンロードは 速度が出ないので結構時間がかかる。今後のMODサイズうｐも見越してうｐろだから落とすようにしよう ※MODが正常に動いていない場合(武器の値段やBPが実際と違う、サウンドが替わっていない、等)は WabiSabiフォルダを削除して導入手順を1からやり直すといいという噂 全体 40分からサドンデス、60分で試合終了 ステージUPの必要キル数が増加、2へは半ライス、3へは大盛りライス 建物や武器等の性能が変更されている 色々な効果音がヵゝゎﾚヽﾚヽものに替えられている HUMAN デフォと比べて走りが速いが、後退と横歩きは少し遅い 追加装備 ステージ1限定販売の頭用防具バラクラバ(ヘルメットの半分の防御力でレーダーも無し) 追加装備 ステージ2以降からのコンバットアーマー(ライトアーマーより防御力が高いがバックパック装備不可) アーマーによって走り時の消費スタミナが異なる(ライトx1,コンバットx2,アーマー無しx3,バトルx4) リピーターを建てるとBPが4増える ALIEN タレットは上方向の角度が制限されている タレットはバジリスクに掴まれると旋回速度が大幅に低下する ADVバジはレーダーに映らない バリケードは標準よりも丈夫で回復も速く低コスト、Humanの移動速度を低下させる範囲も広い ドレッチでもリピーターをかじれる アド麿の電撃はタレットやテスラの範囲外から撃てるが連鎖しない ブースターの毒の持続時間が60秒 タイラントは体力が750あるが自動回復不可 蟲狩り - 人数が少ないとき用の遊び(5～7players) ドラグーン1匹対その他のHUMANのサバイバルマッチ 誰がドラグーンになるかを決める。その他はHUMANへ ALIENはHUMANからキルをもらって3ポイント溜める。その後HUMANに金を与えにキルされに行く HUMANは装備をライフル、ブラスター、ライトアーマー、メディキットにする ALIENはドラグーンに進化する お互いに自陣の建物を全て壊す。HUMANは建物破壊時の爆風に注意 開始時間と終了時間を宣言しリスポン地点で待機 試合開始 勝利条件 ALIENがHUMANを全滅させる HUMANがドラグーンを倒す、またはHUMANが終了時間まで生き残る Alien Busters MOD SERVER ステージアップ方法をkill数からステージアップポイント数に変更 ポイント獲得方法 Human とりあえず壊せ！倒せ！ 建造物OverMind3 Egg5-(総Egg数) Eggが4個以上あっても1以下にはならない その他の建物(Barricade,AcidTubeを除く) 1 クラスGranger1 AdvGranger2 Alien ヒューマンの死体を埋葬するとSoulPointが貰える その状態でOverMindに戻るとSoulPoint分ステージポイントがプラスされる (Adv)GrangerはOverMindだけじゃなくEggでもOK！ ただのエイリアンが偉大なる(Adv)Granger様に触れるとSoulPointを渡せる 製作者の考える流れとしては Human食う→Grangerに渡す→Egg その他変更点 Alien 建造物EggHP下方修正 建設時間短縮 ビルドポイント10→6P リスポンタイム10→15秒 AcidTubeHP下方修正 アーマー装備のHumanに対して攻撃力2倍 Barricade建設時間短縮 ビルドポイント10→4P Booster回復力4倍 Hive,Hovelステージ3→2 Protecter(新)Stage215秒間ダメージ軽減防御版Boosterポジション Tesla以外の建造物1/2 Human3/4 全体建設ディレイ短縮 クラスDretchRaggingDretchに自爆できる HP25→10 Credit175→50 BabyDretchHP16 攻撃力30 AdvGranger糸吐きダメージ4→15建造物には2倍(30ダメージ) Tyrant前方からのダメージ半減 持てる魂Granger2 AdvGranger3 (Adv)Basilisk1 AdvMarauder1 死体が消えるまで15秒 Dretch系・Granger系・Basilisk系はTPSでプレイ可 Human 建造物Tarret索敵間隔0.05→1ディフェンスコンピューターで通常通りに戻る Repeaterステージで電力範囲が変わる1で150 2で350 3で500 ビルドポイント4 TeleporterEntrance(新)Stage2こっちからワープQで使用 ビルドポイント10 TeleporterDestnation(新)Stage2こっちへワープ電力なしでもOK ビルドポイント4 装備Insecticide(新)Stage1殺虫剤を詰めたグレネード何かに触れると即爆発 ダメージ40Eggには4倍 Hiveには10倍 範囲グレの1.5倍 PrototypeJetPack(新)Stage1ジェットパック体験版上空のEgg退治に 無料 ブラスターと注射のみ所持可 マスク(新)Stage2AcidTube無効その代わりヘッドの防御力半分 Telenade(新)Stage2 某モンハンのモドリ玉グレネード系 使用5秒後スパウンポイントに帰還途中でダメージ受けると失敗 死体が消えるまで5分敵より先に触れると味方の死体を埋葬できる ビルドポイント150 全体的に ステージアップに必要なポイントは固定 Stage1→2 10 Stage2→3 20 時間経過でCredit貰うとき 必要な時間2分→1分半 貰えるCredit170→300 YukkuriShiteittene IPアドレスは変る事が有るから晒しておくね YukkuriShiteittene は ふつう?の鯖だよ！ 制限時間 55分間 サドンデス開始 40分から フレンドリーファイア(キャラ) OFF 〃 (建造物) OFF Hのビルドポイント 110 HのStage2に必要な割合？ 20 Stage3 40 Aのビルドポイント 120 AのStage2に必要な割合？ 17 Stage3 44 追加されているカスタムマップ： YukkuriShiteittene の回線はﾁｮｯﾄ?しょぼいんだ… なのでオートダウンロードはできないお ｺﾞﾒﾝﾈ ダウンロードはこちら (2009/04/13 更新) http //www1.axfc.net/uploader/F/so/22312.zip (YS-maps9) と http //www1.axfc.net/uploader/Li/so/32293.zip (YS-maps10D) 3/26 YS-maps6 http //www1.axfc.net/uploader/S/so/46656.zip (YS-maps6D) を追加 3/28 YS-maps7 KAIJI_StarSideHotelを http //www1.axfc.net/uploader/He/so/209640.zip (KAIJI_StarSideHotel_b3.pk3)に入換え 前のKAIJI_StarSideHotel_b2.pk3が入ってる人は必ず削除してね 4/1 YS-maps7とOutLand+ http //downloads.mercenariesguild.net/maps/map-OutLand+.pk3 を追加 4/2 YS-maps8 http //www1.axfc.net/uploader/He/so/211969 (LastValley_a_1_1.pk3) を追加 鯖ソフト更新 4/4 YS-maps8 LastValley_aを http //www1.axfc.net/uploader/He/so/212366 (LastValley_a_2_0.pk3)に入換え 前のLastValley_a_1_1.pk3が入ってる人は必ず削除してね 4/13 YS-maps9 http //loda.jp/vipdetremulous/?id=8 (map-tremor_vip-b01.pk3) を追加 4/14 YS-maps10 http //www1.axfc.net/uploader/Li/so/32293.zip (map-slimepunk-b2.pk3) を追加 マップ名 ファイル名 1984b4 map-1984b4.pk3 DSArena map-DSArena.pk3 KAIJI_StarSideHotel KAIJI_StarSideHotel_b3.pk3 LastValley_a LastValley_a_2_0.pk3 Metro-b1-2 map-metro-b1-2.pk3 UTCS map-UTCSfinal.pk3 aegis_station map_aegis_station.pk3 ancient_remains_1-0 map-ancient_remains-1.0.pk3 arachnid2vip map-arachnid2vip.pk3 cerberus_final map-Cerberus_final.pk3 citadel map-citadel.pk3 cube_b2 cube_b2.pk3 eden-b3 map-Eden-b3.pk3 ethereal map-ethereal.pk3 fort5 map-Fort5.pk3 frax_b2r3 map-frax_b2r3.pk3 g3tremb2 g3tremb2.pk3 gamma_core-final map-gamma_core-final.pk3 gloom2beta2 map-gloom2beta2.pk3 grangerrink_b4 map-grangerrink_b4.pk3 hamunaptra hamunaptra.pk3 insanity_final map-insanity_final-1_1.pk3 kamalkael map-kamalkaelA2.pk3 meep_b2 map-meep_b2.pk3 mission_one_b7 map-mission_one_b7.pk3 orion map-orion-beta2.pk3 OutLand+ map-OutLand+.pk3 outpost_p4_beta4 map-outpost_p4_beta4.pk3 powergrid_b25 map_powergrid_b25.pk3 procyon map-procyon.pk3 pulse_102 map-pulse-beta3-1.1.0.pk3 rotcannon_b11 map-rotcannon-b11.pk3 ship_b0 ship_b0-2.pk3 sirius map-sirius.pk3 slimepunk-b2 map-sirius.pk3 sokolov-1.0 map-sokolov-1.1.pk3 spacetracks_beta1 map-spacetracks_beta1.pk3 tremor_vip map-slimepunk-b2.pk3 stamina map-stamina-1.1.0.pk3 station15-beta3 map-station15-beta3.pk3 temple map-temple-0.5.5.pk3 thanatos_b3 map-thanatos_b3.pk3 thermal map-thermal.pk3 veddak-final map-veddak-final.pk3 volcano map-volcano-alpha4-1.1.0.pk3 wrecktify_b1 map-wrecktify_b1.pk3 カスタムマップはデフォルトマップの合間に1/2の確立で出現 マップのVote方法： Sift+半角/全角でコンソールを開き /callvote map マップ名 とか /callvote nextmap マップ名 とか /callvote draw または ESC→Vote→Call Vote で、Map 投票はF1：yes／F2：no で スタンダードの/callvote nextmapと同じ動作なのは/callvote drawです ESC→Voteのnextmapは使用できません… 追加コンソールコマンド： /me /me_team 自分を主語にしたメッセージを作ることが出来るらすぃ /say_area 近場のチームメイトにsay出来るらすぃ /builder 構築物を作った人が解る出来るらすぃ /mystats 自分のステータスが見れるらすぃ（マップが変ったりするとクリア）
https://w.atwiki.jp/proko_translation/pages/35.html
Common Mistakes of Drawing Breasts 乳房を描くときのよくある間違い https //www.youtube.com/watch?v=_6wdDNnHRO4 http //www.proko.com/common-mistakes-of-drawing-breasts/ mmhmmm... So, you clicked on the episode about breasts. How surprising... さて、あなたは乳房についてのビデオをクリックしたわけですが、 驚くべきことに... Skelly Sowwy um late! ごめんごめん、遅れちゃったよ Oh,uh,actually, this one s about female chests...... あぁ、実は、 このビデオは女性の胸についての話なんだ...... We don t need you. だから今回君は必要ないんだよね。 Hello my name is Stan Prokopenko, you re watching Proko. こんにちは。Stan Prokopenkoです。 Prokoチャンネルへようこそ。 We re gonna start with don ts and then move onto the do s of drawing breasts. まず、「○○をしないこと」から始め、 その後、乳房のドローイングを「どう描くか」に移ります。 I know I m a guy teaching this, but realize that I have the breast of intentions. これを教えている私は男性なわけですが、 しかし、私は心のおっぱいを持っていると思っています。 Common Mistakes よくある間違い Breasts come in all shapes and sizes naturally. 乳房は、自然な状態でも、形や大きさに於いて千差万別です。 Multiply that by aging, implants, and make-up, and then again by different types of bras and clothing, and there s a lot of ways they can look. それに加えて、年齢、美容整形、化粧、 様々なブラジャーや衣服、 たくさんの見え方があります。 With so much variation, it s easier to say what you should never do than what you should always do. このようなたくさんのバリエーションがある中では、 「いつも何をするべきか」より、 「何をしないべきか」の方が 簡単に言えます。 So here s a list of “oh god please stop drawing breasts like this.” ですのでここには、 「ああ、頼むからそういうおっぱいを描かないでくれ」 についてのリストがあります。 A lot of these mistakes come from thinking of the breasts like spheres or cones, but that s not true. これらの多くの間違いが、 乳房を球もしくは円錐と考えることから来ていますが、 それらは真実ではありません。 Breasts are not rigid. 乳房は硬く固定されて動かないものではありません。 They re soft, teardrop-shaped forms that hang off the ribcage. それらはやわらかく、 涙型をしており、胸郭にぶら下がっています。 The #1 mistake? "Air-Balloons"! 間違いの第一位は？ 「風船」です！ People seem to think of breasts as simple spheres all the way around. 人々は、乳房を単純な球だと 考えがちのように見えます。 They show a rounded mass at the bottom and top of the breast. 球だと考えている人は、 乳房の上下ともに丸みを帯びた 形に表現しています。 In truth, breasts do not have a round top plane. 真実は、 乳房は、円形の上面を持ってはいません。 They taper to be thinner towards the collarbones. それらは、鎖骨に向かって先細りになっています。 They re fuller at the bottom because of gravity pulling them down, like a hanging water balloon. 乳房を下に引っ張っている重力のせいで、 乳房は底の方で豊かな形になっています。 つりさげた水風船のようにです。 The only time you ll see top cleavage is from a powerful push-up bra. あなたが乳房上部の胸の谷間を見る時は、 強力な押しあげブラジャー、 Or implants. Or make-up. Or Photoshop. もしくは、美容整形、化粧、フォトショップのおかげです。 There are a lot of lies told about breasts, okay? But I m here to give you the truth. 乳房について語られている嘘がたくさん存在します。 いいですか？ しかし、私はここでは真実を語ります。 Stan Prokopenko, veritable Boob Expert! Stan Prokopenko、 真のおっぱいの達人！ Oh, uhh... I m not really much of an expert. いや、本当はそんなに、 I... I ve never even seen. 実は見たことさえ... any... You can stylize the breasts however you choose, but you should at least start with reality, and work your way out from there. どんな乳房を描くにせよ、あなたはそれを成型できるわけです。 しかし、 あなたは少なくとも現実から始めるべきで、 そこから自分の道に進んでください。 Another common mistake is drawing the breasts squished together in the middle. 別のよくある間違いは、 乳房を中心に向けて互いに押しつぶしたように描くことです。 There s a natural separation between the breasts, about 1 to 3 cm in width. 乳房同士には自然な1～3cm幅の分割があります。 Of course, some bras actually push the breasts together, but at least when drawing the nude figure, leave some space in-between. もちろん、いくつかのブラジャーは 実際に乳房を互いに押しつけ合います。 しかし、少なくとも裸の人物画を描く場合には、 間には隙間をあけておきましょう。 Mistake #3 is thinking that the larger the breast, the larger the nipple. 第三の間違いは、 乳房が大きくなると乳首も大きくなる と考えることです。 Not true. 真実ではありません。 There is every kind of combination. 以下に有り得るすべての組み合わせがあります。 Large breasts with large nipples, small breasts with large nipples, small breasts with small nipples. 大きな乳房に大きな乳首、 小さな乳房に大きな乳首、 小さな乳房に小さな乳首、 Skelly And large breasts with small nipples! Skelly そして、大きな乳房に小さな乳首！！ Dammit Skelly! Get out! 畜生！！ Now, the final mistake I want to mention is super bizarre. さて、最後に紹介したい間違いは、 超奇乳です。 Air-Balloons, okay, they re supposed to be "sexy, " whatever. 風船、 まあいいでしょう。「セクシー」と言えなくもありません。 But this? This is just weird. しかし、これは？ これはただ奇妙です。 Anti-gravity boobs! 反重力おっぱい！ You see this a lot when action girls puff their chests out. あなたはこういう 動作中の女の子の胸を張ったおっぱいを、 たくさん見てるでしょう。 When a woman puffs her chest out, her nipples are not going to reach for the sky. 女性が胸を張ったとき、 彼女の乳首が空に向かうことはありません。 Breasts don t have any muscles to point them upward. 乳房は、上を指さすための筋肉は持っていません。 This version is much more accurate. これが、より正確なバージョンです。 Breasts hang off the ribcage. 乳房は、胸郭からぶら下がっているのです。 Tilt the ribcage all you want, but all breasts care about is gravity. 胸郭を自由に傾けて構いません。 しかし、乳房に於いて気にすべきなのは重力なのです。 Skelly Look! I m a girl too!! Skelly 見てよ、私も女の子よ！ What. この、 The.F-- フ・・・ Form 形 Assignment 課題 !--訳注 スクリプトと音声が違うのでスクリプトを翻訳した-- !--スクリプト版ここから-- The assignment for this lesson is the same as the pecs lesson, except with a female chest. このレッスンの課題は、女性の胸ということを除いて、 大胸筋の時と同じものでです。 There s two parts. 二つの部分があります。 For part 1, do a tracing over a model photo of the pectoralis major and breast tissue. 第一、 モデルの大胸筋と胸の組織をトレースしましょう。 For part 2, invent the pecs and breasts on top of photos of Skella. 第二、 大胸筋と乳房を、Skellaの写真の上に想像で描いてみましょう。 I ve provided reference photos for part 1 and 2 in the link below. 第一と第二の課題用の写真を下のリンクに用意してあります。 !--ここまで-- !--聞き取り版ここから-- The assignment for this lesson is do some quic sketch gesture drawings. このレッスンの課題は、いくつかのジェスチャードローイングをすることです。 Focus on how the position and motion of body affect the shape of breasts. 体の位置や動きが乳房の形にどう影響するかに集中してください。 And of course, don t forget about the pec mascle under the breast tissues. そしてもちろん、乳房組織の下の大胸筋についても忘れないでください。 I provided some refelence potos in the link bellow. いくつかの参考資料としての写真を下のリンクに用意しました。 If you not sure how do the gesture drawing, go back to the gesture drawing in the figure drawing course. もしジェスチャードローイングについてわからないのであれば、 人物画コースのジェスチャードローイングについての 授業を参考にしてください。 !--ここまで-- Grab your breast pencil and bust out some drawings! Man, the puns are really racking up. I gotta milk it for all it s worth. Post your work in our anatomy group at proko.com/groups! Credits That s it, thanks for watching! If you re posting your drawings, use hashtag #proko and don t forget to follow me on Facebook and Instagram. If you like this video, share it with your friends, and if you want to be updated about new videos click here to subscribe to the Proko newsletter. Buh Bye! If you re enjoying this course, share it with your friends. And if you want to be updated about new videos, go to proko. com/subscribe!
https://w.atwiki.jp/parole/pages/15.html
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https://w.atwiki.jp/lastfortsurvival/pages/34.html
[index/目次] Zombie RaidRules Zombie Waves Rewards ゾンビ襲来ルール ゾンビの波 報酬 Zombie Raid Rules 1.You will get 10 points for killing every 1 enemy who invades your Fortress, and 2 points for killing every 1 enemy while reinforcing other Commanders at their Fortresses (in this case. the owner of the Fortress will get 8 points). The sum of the points of all Commanders in the Alliance will be the Alliance points. 2. The tier of reward you get will be determined by personal and Alliance points. Zombie Waves During the event, waves of zombies attack your Fortress within short intervals. It is possible as an alliance to help other alliance members by aiding them, but keep in mind that the points earned for killing the zombies will be split between the Commanders. Rewards Rewards include Stone, Iron, Production Hero Recruitment Cards and Combat Hero Recruitment Points. For maximum rewards, 78700 personal points are needed. If one manages to beat wave 30 without getting any aid, this will be enough to get maximum personal rewards. To qualify for the highest level of rewards, the sum of all alliance members' personal points must be at least 4,700,000 points and your personal points must be at least 78,700 points. If you beat level 30 on your own, you will earn 78,750 points. If you help other players, your personal points will increase, but their points will decrease. If you receive help all the way from level 1 to 30, your personal points will be 63,000 points, and even if you successfully defend up to level 30, the reward you will get will be level 26. ゾンビ襲来 ルール 1.自分の要塞に侵入した敵を1人殺すごとに10点、他の司令官の要塞をヘルプして敵を1人殺すごとに2点（この場合、要塞の所有者は8点）を獲得する。同盟内の全司令官のポイントの合計が同盟ポイントとなる。 2. 個人ポイントと同盟ポイントによって、獲得できる報酬の段階が決まる。 ゾンビの波 イベント期間中、ゾンビの波が短い間隔で要塞を襲撃する。同盟として他の同盟メンバーを助けることは可能だが、ゾンビを倒して獲得したポイントは司令官間で分配される。 報酬 報酬には石、鉄、生産ヒーロー募集カード、戦闘ヒーロー募集ポイントが含まれる。最大報酬には78,700ポイントが必要。WAVE30を助っ人なしで倒せば、個人報酬を最大まで獲得できる。 最高レベルの報酬を得るには、同盟全員の個人ポイントの合計が4,700,000ポイント以上で、かつ自分の個人ポイントが78,700ポイント以上あることが必要。 自力でレベル30まで倒せば78,750ポイントを獲得できる。他のプレイヤーをヘルプすると自分の個人ポイントが増えるが、その分相手のポイントが減る。 レベル1から30までずっとヘルプを受けると個人ポイントは63,000ポイントとなり、レベル30までの防衛に成功しても得られる報酬はレベル26となる。